Composition for tape, video, saxophone…

A sound sculpture unfolding at the threshold of concert, installation, video and movement — a spatial inscription of sound that resonates through physical matter and architecture, leaving the audience suspended in a fluid state of intimate dialogue with matter itself. Here, sound, form and movement permeate one another, generating a tension between form and its incompletion, between structure and evanescence, control and contingency. The work explores the boundaries between sound, space and corporeality, weaving a multilayered audiovisual narrative.

The encounter between open forms is not merely a dialogue, but a process of mutual absorption and transformation, in which two worlds permeate and reshape one another. It is also my personal reunion with Tony Conrad after twelve years — a return, once again, to the languages of liquid matter and sound…